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Hi there, Italian scholars!

In my research, I have run across an "anonymous" treatise from around 1630 describing the job of "Il Corago," a theatrical functionary, who was involved in any number of activities including those typically done, in modern times, by a stage manager, production manager, company manager, chorus master, and/or stage director.

My question concerns the pronunciation of the title. Does anyone have any thoughts as to whether it's "cor-A-go" or "COR-a-go"?

Since the word basically has a Greek derivation, my first instinct was to accent the first syllable. But I'm not so sure...
 
Posts: 4905 | Location: New York City | Registered: 15 June 2001Reply With QuoteEdit or Delete MessageReport This Post

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Interesting! My instincts follow yours (but then I've heard of a choregos, but never until today of a corago): I'm sure a real linguist will step into the fold soon...

A quick google took me to the Roger Savage article in EM, which I'm sure you've already looked at (Early Music, Vol. 17, No. 4, The Baroque Stage I (Nov., 1989), pp. 495-511). Ah: I do like JSTOR. I've actually got that copy of EM somewhere on top of the shelves behind me, but it's easier just to click the link and read it onscreen. Not like it was in our youth...

Jonathan
 
Posts: 2945 | Location: Stroud, UK | Registered: 18 November 2001Reply With QuoteEdit or Delete MessageReport This Post
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From online Garzanti

corego
Sillabazione/Fonetica [co-rè-go]
Etimologia Dal gr. chorìgós, comp. di chorós 'coro' e ághein 'condurre'
Definizione o corago, s. m. [pl. -ghi]
1 nell'antica Grecia, il cittadino privato a cui veniva affidata una coregia
2 (lett.) nel linguaggio teatrale, il direttore del coro.


NB my emboldening if that's the right word.

Also from Garzanti:

coregia
Sillabazione/Fonetica [co-re-gì-a]
Etimologia Dal gr. chorìghía; cfr. corego
Definizione s. f. nell'antica Grecia, l'onere che un cittadino abbiente si assumeva di allestire un coro in occasione delle rappresentazioni drammatiche.
 
Posts: 111 | Registered: 23 September 2006Reply With QuoteEdit or Delete MessageReport This Post

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quote:
the Roger Savage article in EM, which I'm sure you've already looked at (Early Music, Vol. 17, No. 4, The Baroque Stage I (Nov., 1989), pp. 495-511).


That's exactly the source of my question. It's a very interesting article - and of particular interest to me in terms of the question: "what, exactly, was 'acting' in the 17th Cent?" I first ran across it when working on a paper for my master's last year. So, now I've assigned it to my students as part of this course. Smile

Thanks, Vasco. At this point, I'm less interested in the etymology and more interested in determining the accented syllable. So do you think it would be the second one, just like in "corego"?
 
Posts: 4905 | Location: New York City | Registered: 15 June 2001Reply With QuoteEdit or Delete MessageReport This Post
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Yes definitely.
 
Posts: 111 | Registered: 23 September 2006Reply With QuoteEdit or Delete MessageReport This Post

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Posts: 881 | Location: italy | Registered: 18 July 2002Reply With QuoteEdit or Delete MessageReport This Post

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Many thanks to both of you!
 
Posts: 4905 | Location: New York City | Registered: 15 June 2001Reply With QuoteEdit or Delete MessageReport This Post
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